The striking image of a skull holding a rose in its teeth on the cover of Goldfinger was Chopping’s favourite. Ironically, it was also the first Bond book he read, and he was noted as saying he felt there was enough violence in the world already without characters such as Bond glamorising it.
From Goldfinger on, Chopping’s distinctive covers—united by artistically rendered wooden backgrounds–dealt the Bond novels a consistent, distinctive look that Fleming appreciated for their beauty, sense of danger and commercial appeal.
Chopping thought Goldfinger, with a cover showing a skull clutching a rose and gold coins filling its eye sockets, his finest work in the series.
Mr Chopping said the popularity of the distinctive book covers made it difficult for him to sell his work elsewhere as his style became associated with the million-selling books.
4 thoughts on “Goldfinger Dust Jacket”
Pingback: Field Report: Jeremy Duns, Author of the Paul Dark Spy Novels | Artistic License Renewed
Pingback: Field Report: Teeritz from the Teeritz Agenda | Artistic License Renewed
Pingback: Field Report: Simon J. Patterson, Rare Bookseller | Artistic License Renewed
Pingback: Field Report: Jeffrey Deaver, Author of ‘Carte Blanche’ | Artistic License Renewed