Correspondence between Fleming and Chopping

In total, there were 62 Letters including: 12 Typed Letters Signed by Fleming to Chopping; 9 Letters from Chopping, mostly copies, including one carbon and one fair copy to Fleming; and 41 letters to Chopping by others, including one of the directors of Fleming’s publisher Jonathan Cape Limited, Fleming’s secretary, and others involved in the production of the books and Chopping’s dust jacket designs.

18 March, 1959:

“As you will have gathered, the new jacket is quite as big a success as the first one and I do think Capes have made a splendid job of it . . . I am busily scratching my head trying to think of a subject for you again. No-one in the history of thrillers has had such a totally brilliant artistic collaborator!”

 

From the office of author Ian Fleming in 1961, below is a letter requesting the services of artist Richard Chopping. Chopping’s Trompe L’Oeil paintings – each of which took a month to produce – had already featured on four Bond novels, and having just finished writing The Spy Who Loved Me, Fleming was keen to secure his talents yet again.

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The letters from Fleming to Chopping discuss specific ideas for the jacket art, titles of the books, changes to be made, and other comments that illustrate the care and detail that went into their design.

Other letters are from various Cape staff members, Fleming’s secretary Ira Trueblood, and a few from companies that would help Chopping with props, for example the Anglo American Corporation of South Africa, Limited, concerning the loan of a real diamond to use as a model for Diamonds Are Forever.

From Ian 5 November, 1963::

“First of all a thousand congratulations on the new jacket. It is quite in your topmost class and Annie loves it also. You and I are really a wonderful team.”

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The majority of the letters to Chopping are from Michael Howard, one of the main directors of Jonathan Cape Limited, many of which contain details about the jacket art, praise for his work, payment information, copyright issues, and other related topics. Some amusing letters between the Howard and Chopping involve the procurement of a toad for the cover of You Only Live Twice:

1 August, 1963:

“Dear Michael, . . . I decided that it might be quicker (which it hasn’t been) and more interesting (which it certainly has been) to try and trap the toad myself” . . . and proceeds to tell the highly amusing and detailed story of his “Livingstone” – esque expedition with the curator of the Colchester Natural History Museum to locate amphibians in England.”

On April 8, 2010 Swann Galleries auctioned an archive of letters between Chopping, Ian Fleming, and others involved in the production of nine of the 007 covers between 1957 and 1966. The letters touch on details about the jacket art, praise for Chopping’s work, payment information, copyright issues, and other related topics. The lot sold for $57,600.

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“No one in the history of thrillers has had such a totally brilliant artistic collaborator!” – Ian Fleming

Incidental Intelligence

The Most Valuable Literary Bond Items of all Time

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