Article by Frieda Toth Looking back, it was ludicrous. I took a motor scooter on a solo trip through the Adirondacks, re-creating the trip of the beautiful and adventurous Bond girl in Ian Fleming’s lesser-known thriller The Spy Who Loved Me. I primitive tented by the river, I befriended a bunch of Harley riders, and…
Article by Frieda Toth (an abridged lecture originally for the SAMLA92 conference). It is amazing to me, in light of Bond’s tomcatting around, that so little attention is paid to his creator’s attitudes toward reproductive freedom. Although he might have resisted the labels at the time, Fleming’s work is unashamedly pro choice and pro reproductive…
Nobody Does It Better than the Folio Society… For this edition, The Folio Society has also reintroduced Ian Fleming’s original prologue, which had been removed from all modern editions of the text. In an unusual move by the author, this short introduction suggests that the manuscript had been left on his desk by Vivienne Michel,…
Article by Frieda Toth “. . . Bond’s refined tastes and effortless embrace of the high life form an important aspect of his image.” JFK and the Masculine Mystique: Sex and Power on the New Frontier In 1962, Ian’s masterpiece came out. The Spy Who Loved Me was everything he had striven for, and he’d jettisoned everything tiresome. …
This week we head Stateside to talk to Frieda Toth, to discuss Ian Fleming’s visits to New England and his inspirations for novels such as The Spy Who Loved Me and For Your Eyes Only. 001: What began your interest in Fleming and Bond? My High School boyfriend–whom I eventually married!– loved James Bond movies and…
Article by Revelator In his foreword The Seven Deadly Sins, published in 1962, Ian Fleming declared that the traditional seven deadly sins — PRIDE, ENVY, ANGER, SLOTH [accidie], COVETOUSNESS, GLUTTONY and LUST — were no longer sufficient. Thereupon, he proposed seven deadlier sins more worthy of a one way ticket to Hell: AVARICE, CRUELTY, HYPOCRISY,…
Article by David Craggs For many Bond literary aficionados The Spy Who Loved Me was and remains an anomaly. It represented a brave departure in terms of format and style and when published back in 1962, it garnered Ian Fleming the worst critical reviews of his career. He consequently lobbied Jonathan Cape to suppress the…
Article by Edward Biddulph If you were asked to name the places with which Ian Fleming is most closely associated, you would almost certainly put Goldeneye, Fleming’s the winter home in Jamaica where he wrote all the Bond books, on the top of your list. Further reflection might bring to mind his London properties, among…
In the last few months, the James Bond universe has given us some new ‘Bond Women’ to the canon from Trigger Mortis to Spectre. On the fifth anniversary of his ground breaking book about feminism and the representations of women in the 007 novels and films, we checked in with Robert Caplen to get his opinions. What are your reactions to…
In his foreword to the book The Seven Deadly Sins, published in 1962; Fleming declared that the traditional seven deadly sins — PRIDE, ENVY, ANGER, SLOTH [accidie], COVETOUSNESS, GLUTTONY and LUST — were no longer sufficient. Thereupon, he proposed seven deadlier sins more worthy of a one way ticket to Hell, which were: AVARICE, CRUELTY, HYPOCRISY, MALICE, MORAL…
On this day in 1962, ‘The Spy Who Loved Me’, the ninth novel in Ian Fleming’s James Bond series is published. To celebrate this event, film journalist and screenwriter Matthew Chernov reviews the latest audio book version – read by Rosamund Pike — and explains why this book holds a very special place for him.…
Additional quotes by Michael May; Illustrations ©George Almond where indicated – Courtesy of http://www.007magazine.com With each new James Bond film (including the upcoming SPECTRE) there is always speculation about how much source material is left to use. In some cases, merely the title of one of Fleming’s books was used, with the original story left…
1. What is your favorite Chopping cover and why? That’s a tough decision, but I think it has to be From Russia With Love. The flower motif that he used on all the covers makes most sense to me with that one and I love the juxtaposition between that and the gun. The Spy Who…
The common perception of a Bond girls, as damsels in distress waiting for our hero James Bond to save from the clutches of the villain and also themselves, is not without its flaws. In a recent interview I did with Robert Caplen, author of Shaken & Stirred: The Feminism of James Bond, when asked this same question he…
Article by Revelator After For Your Eyes Only Bond was no longer a wonderful machine. Nor was he a fully-dimensional, complex human being—that would involve surrendering his role as a male-fantasy projection—but he was considerably more human than before. Why? Because Ian Fleming failed. He explained why in an interview with Counterpoint: Now, you’ll notice that…
There is a certain paradox about James Bond’s relationship with all things America. Devoted to the Anglo-American war against Communism, there is a level of contempt that runs through the novels during a time when the British Empire was winding up and the new American one was burgeoning. The contempt tended to be about material…
Ian Fleming had many homes from home but none more so than at his great friend’s farm in southern Vermont. He used to visit his friend Ivar Bryce at Black Hole Hollow Farm right on the border between New York and Vermont. Fleming’s first visit to Vermont was to visit Bryce who he had first met…
The Spy Who Loved Me was published on 16 April 1962 in the UK as a hardcover edition by publishers Jonathan Cape; it was 221 pages long and cost 15 shillings. Artist Richard Chopping once again undertook the cover art, and raised his fee from the 200 guineas he had charged for Thunderball, to 250 guineas. The artwork included a commando knifewhich was borrowed from…
Artistic Licence Renewed 